For one summer, the much-acclaimed young ceramics artist Keiyona Stumpf will set her latest creations in the Baroque and Rococo halls in an exciting relationship to the museum’s top-class works of art. This intervention of structures, many of which resemble bizarre plants or enchanted organisms, provokes and challenges visitors to new visual experiences. In contrast, the disturbing counterpart gives a new perspective to the old art, and at the same time it sets the current creations, which emanate a peculiar fascination, into a demanding dialogue
